An Ode to a Lobster
Collect Art have this wonderful original Sasha Harding painting for sale called An Ode to a Lobster. An Ode to a Lobster measures 21″ x 21″. An Ode to a Lobster is an acrylic on canvas. The painting can be seen in our gallery in Lymm, Cheshire.
Sasha Harding was born in Bath in 1973. She studied at Marlborough College, Shelley Park in Boscombe and Falmouth School of Art where she graduated with a degree in Fine Art.
Although born in Bath, Sasha Harding grew up by the sea on the south coast in Dorset. She was encouraged to paint from an early age and had her first art exhibition at the age of fourteen with an older sister in the sitting room at home. Her interest in art was stimulated, both by her surroundings and a tradition of art and music in the family. Two of Sasha’s grandparents were artists and Jeka Kemp, a well-known post impressionist painter, was a great aunt whose sketch books the children were allowed to play with when they were young.
Sasha Harding’s contemporary paintings are inspired by her happy childhood spent on the coast of Dorset. She continues to live close to the coast and finds on going inspiration from the sea shore and local life. Sasha’s paintings contain limited colours – she uses three colours and white. This allows Sasha to concentrate on her interest in form which is carried through in her depiction of coastal scenes. In these she explores the gentle tones of a beach seen under a cloudy sky, or in the reflective languor of a summer day. Her observations become more sharply drawn in bright sunlight, with clear colours and crisp accents. Harding’s sense of the absurd sparkles irrepressibly through her paintings, but the lasting impression is one of great affection for her subject.
Sasha Harding lists many influences on her art works including including the Scottish colourists, Newlyn artists and Stanhope Forbes and Elizabeth Forbes.
Sasha talks about her art below:
For me, painting is all about capturing a moment in time, a snapshot – the distillation of a scene down to its core elements.
Perhaps unusually for a painter, from the initial spark of an idea I’ll write down words and come to a title before the accompanying forms take shape, setting a strong narrative from which to work. Then I’ll turn to my sketchbook and very carefully plan the layout and conjure up the characters, meaning that when the time comes to put paint to canvas the picture is already fully-fledged. The actual painting is the very final stage of the process; the fun part.
I only ever use three specific paint colours (and white) – a limited palette that allows me to concentrate on content and form rather than colour.
In all my work, I aim to strike a balance between the pensive and the silly, the serious and the absurd, injecting quirkiness and humour in careful measures. The resulting juxtapositions very much reflect my personality.
Keen on having a healthy work/life balance, I spend a lot of time on or in or by the sea, often returning to the studio inspired by something or someone I’ve seen while out on a fishing or kayaking trip. And, suitably refreshed, I’ll start the endlessly fulfilling process again.